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Wesley Meuris

Cage for Aptenodytes forsteri, 2006 

Cage for Ardeotis kori, 2006

Cage for Eagle Ray, 2006

Cage for Meerkat, 2006

Cage for Mississippi Alligator, 2006

Cage for North American Bison, 2006

Cage for Ramphastos toco, 2006

Cage for Scotopelia peli, 2006

Cage for Vultur gryphus, 2006

Draft – Cage for Polar Fox, 2014

Draft – Cage for Sugar Glider, 2014

Draft – Enclosure for Dwarf Hippo, 2014

Draft – Enclosure for Okapi, 2014

Draft – Enclosure for Okapi & Dwarf Hippo I, 2014 

Draft – Enclosure for Okapi & Dwarf Hippo II, 2014

All above works: pencil and watercolor on paper
Variable dimensions

 

Enclosure for Animal (zoology), 2006 – 2021
Wood, mosaic tiles, glass, tube light
205 x 112 x 172 cm
All works courtesy of the artist and Galerie Poggi, Paris

Wesley Meuris’s work focuses on constructed and rationalised environments such as archives or enclosures for animals in zoos. Exploring both architecture and scientific systems of classification, he examines the factors that dictate how a building or structure is designed – considering factors such as hygiene, privacy, comfort and modesty. In the series of drawings of zoo animal enclosures, shown in the exhibition, we are presented with architectural typologies, devoid of their intended inhabitants. This absence leaves room for the viewer to consider to what degree these enclosures cater to the animal’s actual needs, versus our own need and desire as viewers to revel in the power of our controlling gaze and our exploitative actions that reduce animals to spectacles and sources of capital, often under the guise of care.

With support from:

Wesley Meuris was born in Lier, Belgium; he lives and works in Antwerp, Belgium.

The work of Wesley Meuris questions the mechanisms of architecture and science as systems of organising and classifying the world. By exposing these mechanisms and demonstration objects – such as an empty animal cage or a theme park kiosk, inanimate and reduced to its simplest apparatus – he reveals structures often overlooked but essential to our daily interpretation of the world. His work encourages viewers to question how we present and perceive the systems that shape our understanding.