hello, are we in the show?, 2020
Animation film
Single channel video, 10′ 25″
Produced by S.O.I.L. – Geert Van Goethem & Linda Sterckx – with the support of Musée de la Chasse et de la Nature, Paris and Netwerk, Aalst; a co-production with S.M.A.K., Ghent and BPS22, Charleroi; with support from Flanders Audiovisual Fund (VAF) and Casa Kafka Pictures Movie Tax Shelter with support from Belfius; Financing for Art Production through Solang Production, Paris, Brussels
Courtesy of the artists and – S.O.I.L. – LMNO Brussels
hello, are we in the show?, 2012
172 drawings ink and colour pencil on paper
Dimensions variable
Collection S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent
Denicolai and Provoost’s hello, are we in the show? is a large-scale video installation featuring a fragmentary animated narrative. The images used come from a video of a walk in Sonian Wood, one of Europe’s oldest forests, on the outskirts of Brussels. An account of these images was the basis for a storyboard which was then processed by a team of experts to produce an animated film. The film depicts a series of episodes involving the seemingly insignificant events that unfold in the forest in the absence of humans – a duck drying off its wings, the light shifting through the foliage, a magpie lying dead at the foot of a tree, flies flying over it. Coupled with the scale of the projection, the work’s sound creates an immersive environment, a sense of finding oneself deep into the forest, surrounded by the sounds of animals, insects and the natural world, as well as by the distant hum of human activity – the sound of cars travelling on a faraway highway, an aeroplane flying overhead and other such sounds, reminding us of how we have encroached our animal habitats almost everywhere.

Simona Denicolai was born in Milan, Italy, and Ivo Provoost was born in Diksmuide, Belgium; they live and work in Brussels, Belgium.
Simona Denicolai and Ivo Provoost have worked as Denicolai & Provoost since the mid-1990s. Their process-oriented working method aims to ask questions such as What can art do? How can art be used for sustainable change? The artistic duo’s answer is a participatory practice in which artworks are rarely an end in themselves. Moving from Spanish fish markets to Dutch communes to working-class Ghent neighbourhoods, they usually begin each project by writing a scenario in which they focus intently on the individuality of a place. What happens during this process determines the final form of an artwork.