Woodstock’s Birdhouse, 2024-2025
Wood, acrylic, plywood
Schroeder’s Auditorium and Linus Roof for Woodstock Venue, 2025
Clay, wood, acrylic
Woodstock’s Wind & Waves Sailing Club, 2024
Woven wool fabric, steel, wood, mdf, spray, gesso, acrylic
The Fragility of Tweeting is the Blessing of Community, 2024-2025
Clay, wood, acrylic
At Lucy’s Booth: Lose that Blanket, Linus, 2024
Wool, plywood, acrylic
Snoopy Builds Woodstock’s Birdhouse, 2024
Wood, plywood, acrylic, oil, fabric, paperboard
Woodstock’s Help Advice, 2024
Wood, plywood, acrylic, steel
Snoopy Rebuilds, 2024
Wood, paperboard, plywood, acrylic
Woodstock’s Landing Strip, 2024
Steel, wood, spray
All works courtesy of the artist
How to guarantee conditions of contemplation of the older feline population, 2006
Wood
310 x 165 x 52 cm
Courtesy of the artist
Κostis Velonis’s series of works Wandering Sculptures, inspired by Snoopy and the Peanuts universe, is an investigation into the political and philosophical implications of the relationship between humans and animals, seen through the lens of coexistence and communication. Snoopy becomes a symbol of the re-evaluation of our relationship with animals, one which serves to topple the traditional hierarchy of human vs non-human life. In his Wandering Sculptures, permanent and short-term housing typologies morph into spaces for diverse encounters and for dialogue. At a time marked by displacement and environmental crisis, Snoopy’s world becomes a point of departure for a visual narrative about self-determination, empathy and the meaning of hospitality; a space for reflection on the need to ensure the survival not only of humans but of every single creature sharing the planet with us.
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The work titled How to guarantee conditions of contemplation of the older feline population is the result of my efforts to help arthritic cats who have trouble climbing on trees. It is a pet sculpture, a sort of elevated, covered platform, at once providing shelter and a treehouse-like experience of contemplation, of surveying the ground from above. The work is based on El Lissitzky’s unrealised design for a tribune to be used by Lenin. In fact, it is an appropriation and adaptation of that design to suit my own purposes. Cats show us how to get in touch with our intrinsic anarchism, though not by acting as protesters. That position is perhaps more akin to dogs, who share a pack mentality and acknowledge the role of the dominant male, of the leader as understood in ideological terms. The work, however, references
a different debate, one which is about a politics of care and love, of providing refuge and pleasure. (Kostis Velonis)
Kostis Velonis was born in Athens, Greece; he lives and works in Athens, Greece.
Kostis Velonis’ practice combines sculpture, installation, and architectural references to examine historical narratives, utopian ideals, and everyday life. Over the years, his work has also explored animal habitats in urban space, often proposing innovative and imaginative solutions for coexistence, particularly for stray cats. Using wood, metal, found objects, and handcrafted elements, he constructs poetic assemblages that evoke personal and collective memory and the utopias of the Russian avantgarde. His work engages with political and social themes, offering reflections on labour, class, cultural identity, and interspecies coexistence.