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Britta Marakatt-Labba

Move, 2000
Embroidery and applique on linen
63 x 106 cm
Courtesy of the artist and Galleri Helle Knudsen, Stockholm 

Cunning, 2015
Embroidery and applique on linen
10 x 20.5 cm
Private collector, Sweden

Between two worlds, 2018-2019
Embroidery and applique on linen
24 x 82 cm
Private collector, Sweden

The Crows, 2021
Embroidery and applique on linen
62 x 133 cm
Courtesy of the artist and Galleri Helle Knudsen, Stockholm

Britta Marakatt-Labba is one of the foremost textile artists in Sápmi and the Nordic region. Her embroideries depict scenes narrating the daily lives and forced displacement of indigenous inhabitants of Sápmi – the Sámi people. Her creative process involves translating images into the fabric of her embroidery. These images work doubly to resurrect memories, narratives and practices that are in danger of disappearing and to critique aspects of contemporary life. Always in tune with her Sámi heritage, notions of care, nature, dreams and mythologies are central to her work. Appearing at first quite delicate and playful, her embroideries actually reveal a harsher and more violent reality. Much of her work addresses resource extraction, climate change, industrialisation and the consequent expulsion of indigenous peoples from their land. Her work consistently highlights how indigenous people’s desire to live in harmony with nature and other non-human animals is disrupted by a culture that views the environment as a resource to be exploited for profit. 

Britta Marakatt-Labba was born in Idivuoma, Lapland; she lives and works in Övre Soppero, Lapland.

Britta Marakatt-Labba is a Swedish Sámi textile artist, painter, graphic artist, and book illustrator known for her narrative embroidery works using motifs from Sámi culture and mythology, as well as her watercolours and lithographs. She played a foundational role in the Sámi Artists’ Union, and her work often reflects political and cultural struggles. These include the embroidered narrative Garjját (The Crows), related to the Álta conflict in the 1970s, and her iconic and epic Historjá, a 23-metre textile work that recounts the history and mythology of the Sámi people and was shown as part of documenta 14 in Kassel.